Pablo's punks | Arts critics | Guardian Unlimited Arts
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Saved by 6 people (0 private), first by anonymouse user on 2007-01-11
- Chawjh on 2007-10-11 - Tags no_tag
- Apopheniac on 2007-06-29 - Tags art , commentary , criticism , history , modernism
- Pranav86 on 2007-02-16 - Tags interesting
- Ashleystar on 2007-01-12 - Tags art , article
- Levinson on 2007-01-11 - Tags Art
Public Sticky notes
t's exactly a century since Picasso painted Les Demoiselles d'Avignon. Jonathan Jones reveals why this explosion of sex, anarchy and violence gave birth to the whole of modern art
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Pablo's punks
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It anticipates the end of painting, gladly contemplates the cultural destructions
Highlighted by chawjh
Les Demoiselles d'Avignon is the rift, the break that divides past and future.
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Five pink women are entangled in silver and blue draperies. Two of them stand with arms raised to flaunt their breasts, staring at you out of huge black eyes
Highlighted by chawjh
This is a painting of nudes in which there is scarcely a curve to be seen - elbows sharp as knives, hips and waists geometrical silhouettes, triangle breasts.
Highlighted by chawjh
this is a painting about looking. Picasso looks back at you in the central figure, whose bold gaze out of huge asymmetrical eyes has the authority of a self-portrait.
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African masks
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disguise you, turn you into something else - an animal, a demon, a god. Modernism is an art that wears a mask.
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he wanted to show that originality in art does not lie in narrative, or morality, but in formal invention
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Modernism in the arts meant exactly this victory of form over content
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he all but obliterates the 500-year-old western tradition of perspective by flattening his flesh silhouettes in a space that goes nowhere. It's this visual violence that liberates his eroticism, because it erases any meaning or narrative.
Highlighted by apopheniac


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